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2010专八翻译小练习

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jojo 发表于 2010-5-22 00:08:13 | 显示全部楼层 |阅读模式



原文:

只有在我过度劳累的时候,在我长时间不间断地工作的时侯,在我感到内心空虚、需要充实的时候,我才会感到寂寞。有时,外出演讲回来,见了许多人,讲了许多话,心中满是纷乱的体验需要整理,偶而也会觉得孤独。

于是有那么一会儿,我会感到整个房子非常大,空荡荡的。不知此时的自我又藏匿于何处。这时,我会给花草浇浇水,挨个瞅瞅,仿佛它们是活生生的人一样,或是喂喂两只小猫,亲手做顿饭菜,这样自我就慢慢地重新找回。

参考译文:

内容已丢失,我们很抱歉.




??? 发表于 2010-5-22 00:08:15 | 显示全部楼层
原文:
Opera is expensive: that much is inevitable. But expensive things are not inevitably the province of the rich unless we abdicate society's power of choice. We can choose to make opera, and other expensive forms of culture, accessible to those who cannot individually pay for it. The question is: why should we? Nobody denies the imperatives of food, shelter, defense, health and education. But even in a prehistoric cave, mankind stretched out a hand not just to eat, drink or fight, but also to draw. The impulse towards culture, the desire to express and explore the world through imagination and representation is fundamental. In Europe, this desire has found fulfillment in the masterpieces of our music, art, literature and theatre. These masterpieces are the touchstones for all our efforts; they are the touchstones for the possibilities to which human thought and imagination may aspire; they carry the most profound messages that can be sent from one human to another.

参考译文

聆听歌剧,无疑昂贵至极。但是,昂贵的事物并非必定属于富人的范畴,除非我们放弃社会的选择权。我们可以选择去使歌剧以及其他某些昂贵的文化形式也能为那些不具备个人支付能力的人所享受。但问题是,我们有必要这么做吗?没人会否认食物、居所、防护、健康与教育的不可或缺性。但即便是在史前时代的洞穴中,人类伸出手来,早就不单纯是为了吃、喝或搏杀,而且亦进行绘画创作。人类对于文化的冲动,通过形象思维和再现手段来表现并探索世界的欲望,乃亘古有之。在欧洲,这一欲望在我们的音乐、艺术、文学和戏剧杰作中寻找到了其实现形式。这些杰作构成了我们全部努力的试金石。作为试金石,它们能衡量出人类的思想和想象力所可能企及的程度。它们携带着最寓意深刻的主题,可在人类彼此间相互传递。



victamtt 发表于 2010-5-22 00:08:19 | 显示全部楼层
原文
The stage is more beholding to love, than the life of man. For as to the stage, love is ever matter of comedies, and now and then of tragedies; but in life it doth much mischief; sometimes like a siren, sometimes like a fury. You may observe, that amongst all the great and worthy persons (whereof the memory remaineth, either ancient or recent) there is not one, that hath been transported to the mad degree of love: which shows that great spirits, and great business, do keep out this weak passion. You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems (though rarely) that love can find entrance, not only into an open heart, but also into a heart well fortified, if watch be not well kept. It is a poor saying of Epicurus, Satis magnum alter alteri theatrum sumus; as if man, made for the contemplation of heaven, and all noble objects, should do nothing but kneel be- fore a little idol, and make himself a subject, though not of the mouth (as beasts are), yet of the eye; which was given him for higher purposes.

It is a strange thing, to note the excess of this passion, and how it braves the nature, and value of things, by this; that the speaking in a perpetual hyperbole, is comely in nothing but in love. Neither is it merely in the phrase; for whereas it hath been well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a man`s self; certainly the lover is more. For there was never proud man thought so absurdly well of him self, as the lover doth of the person loved; and therefore it was well said, That it is impossible to love, and to be wise. Neither doth this weakness appear to others only, and not to the party loved; but to the loved most of all, except the love be reciproque. For it is a true rule, that love is ever rewarded, either with the reciproque, or with an inward and secret contempt.

译文
舞台上的爱情比生活中的爱情要美好得多。因为在舞台上,爱情只是喜剧和悲剧的素材。而在人生中,爱情却常常招来不幸。它有时像那位诱惑人的魔女,有时又像那位复仇的女神。你可以看到,一切真正伟大的人物(无论是古人、今人,只要是其英名永铭于人类记忆中的),“没有一个是因爱情而发狂的人:因为伟大的事业抑制了这种软弱的感憎。只有罗马的安东尼和克劳底亚是例外。前者本性就好色荒淫,然而后者却是严肃多谋的人。所以爱情不仅会占领开旷坦阔的胸怀,有时也能闯入壁垒森严的心灵--假如守御不严的话。 埃皮克拉斯曾说过一句笑话:”人生不过是一座大戏台。“似乎本应努力追求高尚事业的人类,却只应像玩偶奴隶般地逢场作戏似的。虽然爱情的奴隶并不同于那班只顾吃喝的禽兽,但毕竟也只是眼目色相的奴隶--而上帝赐人以眼睛本来是更高尚的用途的。

过度的爱情追求,必然会降低人本身的价值。例如,只有在爱情中,才永远需要那种浮夸诌媚的词令。而在其他场合,同样的词令只能招人耻笑。古人有一句名言:”最大的奉承,人总是留给自己的“。--只有对情人的奉承要算例外。因为甚至最骄傲的人,也甘愿在情人面前自轻自贱。所以古人说得好:”就是神在爱情中也难保持聪明。“情人的这种弱点不仅在外人眼中是明显的,就是在被追求者的眼中也会很明显----除非她(他)也在追求他(她)。所以,爱情的代价就是如此,不能得到回爱,就会得到一种深藏于心的轻蔑,这是一条永真的定律。





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